Performing Arts | Sahapedia

The percussion instrument used in Dollu Kunitha consist of the dollu, a double-headed drum made of a single piece of wood, rope and dried animal skin. Additional rhythm is maintained by the gilki (rattle) and thala (a pair of brass cymbals). Dollus played by women are slightly smaller in size (15 inches diameter) and lighter in weight (4 kg).

Aparna Nori

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu Kunitha

Performing Arts

Nagānandam Night 7: Malayavati's DesperationVideo

Vighnesh Hampapura in Conversation with Bhagirathi Bai Kadam: Living TheatreInterview

Theatre Space of RangayanaModule

The Temple of Theatre: RangayanaOverview

Marching to Military Music: Republic Day Parade RehearsalsImage Gallery

Subhadrādhanañjayam Srastum VanchatiVideo

Mattavilāsam Night 3, Part 2Video

Mattavilāsam Night 3, Part 1Video

Mattavilāsam Purappadu, Part 2Video

Mattavilāsam Purappadu, Part 1Video

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Topics

Mitali Trivedi

Maach Folk Theatre of Madhya Pradesh

Performing Arts Practices and Rituals

Vighnesh Hampapura

Theatre Space of Rangayana

Performing Arts Institutions

Haritha Vijayakumaran

Porattukali: Performance Art of Kerala’s Dalit Community

Performing Arts

Videos

Pandit Om Prakash Sharma is considered to be the face of maach folk theatre form in India (Courtesy: Mitali Trivedi)

In Conversation with Pandit Om Prakash Sharma: Tracing Maach, Malwa’s Musical Folk Theatre

Performing Arts Practices and Rituals

Embedded thumbnail for Nagānandam Night 7: Malayavati's Desperation

Nagānandam Night 7: Malayavati's Desperation

Performing Arts

Embedded thumbnail for Vighnesh Hampapura in Conversation with Bhagirathi Bai Kadam: Living Theatre

Vighnesh Hampapura in Conversation with Bhagirathi Bai Kadam: Living Theatre

Performing Arts People

Embedded thumbnail for Subhadrādhanañjayam Srastum Vanchati

Subhadrādhanañjayam Srastum Vanchati

Performing Arts

Image Galleries

Aparna Nori

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu Kunitha

S Saipriya

Wrestling the Pole: The Art of Mallakhamb Training

Mitali Trivedi

A Night of Maach: Malwa’s Musical Theatre in Pictures

Jai Thakur

Marching to Military Music: Republic Day Parade Rehearsals

Articles

Nishita Banerjee

Gavari: A 40-day Mystical Theatre Celebration of the Goddess among Rajasthan’s Bhil Tribe

Performing Arts Practices and Rituals

J. Devika

Kuttykkunhu Thangkachi: Kerala’s First Female Playwright and Carnatic Music’s Composer

Performing Arts Literature and Languages People

Abhilasha Ojha

Khemchand Prakash: The Man Who Discovered Lata Mangeshkar, Kishore Kumar

Performing Arts Histories People

Sahapedia Frames

Choodamani demonstrates the different notes the Dollu emanates; the right side of the drum is struck with a cane and produces a higher note, whereas the left side of the drum is struck with fingers, producing a lower and heavier sound.

Aparna Nori

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu Kunitha

Mallakhamb is an apparatus for physical training in which the athlete exercises on a wooden pole doing a combination of yoga, gymnastics and wrestling.

S Saipriya

Wrestling the Pole: The Art of Mallakhamb Training

Military regiments from the Indian Armed Forces rehearse for the Republic Day Parade on Rajpath for days before the main event on 26th January each year. They are joined by the Indian Military Bands who put up an exclusive show on 29th January when the ceremony closes on Vijay Chowk, known as Beating Retreat.

Jai Thakur

Marching to Military Music: Republic Day Parade Rehearsals

Thira is a ritual dance-drama where various deities of the land are invoked and they give divine blessings for the welfare of the land and the people. Thira is unique to the Malabar region in Northern Kerala, where it is performed in sacred shrines and ancestral temples located in kavus (Courtesy: Kirthana Devdas)

Kirthana Devdas

Spirit of the Sacred Groves: Thira of Northern Kerala

Library Artifacts

मध्य प्रदेश आदिवासी लोक कला प्रकाशन

भिम्मा, Bhimma

Chaumasa

महाभारत की वाचिक परंपरा का लोकस्वरूप 'पांडवानी'

Chaumasa

साधना और संघर्ष: परिवर्तन ही श्रेयष्कर है

Chaumasa

साधना और संघर्ष: तीजन बाई से एक भेंट

छत्तिसगढ़ी पंडवानी कला मंच, रायपुर

पंडवानी स्मारिका

मध्य प्रदेश शासन संस्कृति विभाग

तुलसी सम्मान 1990-91