Performing Arts | Sahapedia

The Annamalai Mountain, Tiruvannamalai: Stories of how Siva manifested Himself at the temples of Ekambareshwar, Jambukeshwar, Arunachaleshwara, Srikalahasti and Chidambaram are related to the belief that these are lingas of earth, water, fire, air and ether respectively. At Tiruvannamalai, the hill Annamalai/Arunachala is worshipped as Siva. It is said it was here Siva manifested Himself as Lingodbhava, the pillar of fire. Vishnu and Brahma asked Him to abide there in the form of a linga that they might offer him worship. Else, the all-encompassing Lord would be beyond the worship of any but elemental forces like the rain, sun and constellations ('Arunachalapuranam', verse 161). Tiruvannamalai thus represents the Sivalinga of fire. This perception of the temples in relation to the panchamahabhutas (five primal elements) is found in the 'Suta Samhita' and is likely to have developed only after the 10th century CE (Rangaswamy 1958, p. 199).

Sriram Sabhapathy (photographer), Niharika Gupta (curation and captions), Piyush Kukrety (research assistance)

Imagining the Divine: Temple Stories and Tevaram Hymns

Performing Arts, Literature and Languages

Oral Histories: Bari Nadaswaram player S. Palaniappan on the Tyagarajaswamy Temple, Tiruvarur Video

Imagining the Divine: Temple Stories and Tevaram HymnsImage Gallery

Celebration of Faith: Play, Performance and Pleasure on the WariImage Gallery

The Pandharpur WariVideo

The Show Must Go On: Guru–Shishya Parampara in a Post-pandemic WorldImage Gallery

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu KunithaImage Gallery

Wrestling the Pole: The Art of Mallakhamb TrainingImage Gallery

Merchant Ivory’s India: Colonial Legacies and Expatriate DesiresOverview

Gavari: A 40-day Mystical Theatre Celebration of the Goddess among Rajasthan’s Bhil TribeArticle

Kuttykkunhu Thangkachi: Kerala’s First Female Playwright and Carnatic Music’s ComposerArticle

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Topics

Mitali Trivedi

Maach Folk Theatre of Madhya Pradesh

Performing Arts Practices and Rituals

Vighnesh Hampapura

Theatre Space of Rangayana

Performing Arts Institutions

Haritha Vijayakumaran

Porattukali: Performance Art of Kerala’s Dalit Community

Performing Arts

Videos

Embedded thumbnail for Oral Histories: Bari Nadaswaram player S. Palaniappan on the Tyagarajaswamy Temple, Tiruvarur

Oral Histories: Bari Nadaswaram player S. Palaniappan on the Tyagarajaswamy Temple, Tiruvarur

Performing Arts Histories

Embedded thumbnail for The Pandharpur Wari

The Pandharpur Wari

Performing Arts Practices and Rituals

24 Min

Pandit Om Prakash Sharma is considered to be the face of maach folk theatre form in India (Courtesy: Mitali Trivedi)

In Conversation with Pandit Om Prakash Sharma: Tracing Maach, Malwa’s Musical Folk Theatre

Performing Arts Practices and Rituals

Embedded thumbnail for Nagānandam Night 7: Malayavati's Desperation

Nagānandam Night 7: Malayavati's Desperation

Performing Arts

Image Galleries

Sriram Sabhapathy (photographer), Niharika Gupta (curation and captions), Piyush Kukrety (research assistance)

Imagining the Divine: Temple Stories and Tevaram Hymns

Kamesh Bharadwaj (photographs), Kartikay Khetarpal (curation and captions)

Celebration of Faith: Play, Performance and Pleasure on the Wari

Sanghamitra Bhattacharya

The Show Must Go On: Guru–Shishya Parampara in a Post-pandemic World

Aparna Nori

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu Kunitha

Articles

Nishita Banerjee

Gavari: A 40-day Mystical Theatre Celebration of the Goddess among Rajasthan’s Bhil Tribe

Performing Arts Practices and Rituals

J. Devika

Kuttykkunhu Thangkachi: Kerala’s First Female Playwright and Carnatic Music’s Composer

Performing Arts Literature and Languages People

Abhilasha Ojha

Khemchand Prakash: The Man Who Discovered Lata Mangeshkar, Kishore Kumar

Performing Arts Histories People

Sahapedia Frames

Through Bharatanatyam, Rajdeep Sir has addressed the importance of physical, emotional, spiritual and mental health, which has come to the forefront during the pandemic. Rajdeep Sir mentions, ‘Art is a therapeutic movement. It nurtures our soul during these tough days of pandemic.’ He feels that the human mind needs channels of communication and creative expression during any unforeseen calamity, which can be which can be provided through dance.

Sanghamitra Bhattacharya

The Show Must Go On: Guru–Shishya Parampara in a Post-pandemic World

Choodamani demonstrates the different notes the Dollu emanates; the right side of the drum is struck with a cane and produces a higher note, whereas the left side of the drum is struck with fingers, producing a lower and heavier sound.

Aparna Nori

Sri Choodamani Ramachandra: Pioneer of Mahila Dollu Kunitha

Mallakhamb is an apparatus for physical training in which the athlete exercises on a wooden pole doing a combination of yoga, gymnastics and wrestling.

S Saipriya

Wrestling the Pole: The Art of Mallakhamb Training

Military regiments from the Indian Armed Forces rehearse for the Republic Day Parade on Rajpath for days before the main event on 26th January each year. They are joined by the Indian Military Bands who put up an exclusive show on 29th January when the ceremony closes on Vijay Chowk, known as Beating Retreat.

Jai Thakur

Marching to Military Music: Republic Day Parade Rehearsals

Library Artifacts

मध्य प्रदेश आदिवासी लोक कला प्रकाशन

भिम्मा, Bhimma

Chaumasa

महाभारत की वाचिक परंपरा का लोकस्वरूप 'पांडवानी'

Chaumasa

साधना और संघर्ष: परिवर्तन ही श्रेयष्कर है

Chaumasa

साधना और संघर्ष: तीजन बाई से एक भेंट

छत्तिसगढ़ी पंडवानी कला मंच, रायपुर

पंडवानी स्मारिका

मध्य प्रदेश शासन संस्कृति विभाग

तुलसी सम्मान 1990-91