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Sindhuja Parthasarathy

The Invisible Gender: Menzimyeors of Srinagar

Tambats continue their work post their slight lunch hour.

Natasha Nargolkar

The Last of the Tambats: A Photo Essay

Arnab Bhaumik

Amid the Ahoms: Rongali Bihu of Sibsagar

Puppeteers displaying various puppets

Anupama A.P.

Scenes from a Bommalattam Performance by Kudanthai Chandhar

Trivedi Memorial Football Tournament at Thenzawl in 1983

Lalsangliani Ralte

Historic Moments in Mizoram Football

Arindam Thokder

Larger Than Life: Film Poster Painters of Bengaluru

Deepak Bhau Kumbhar

String Masters: Sitarmakers of Miraj

Fig. 2: Maitreya—gilded copper sheets over stucco, jewellery in repoussé with semi-precious stones. (Photo Courtesy: Sanjay Dhar)

Sanjay Dhar

Basgo: Chamba Serzang

Fig. 2: Painted stucco sculpture of Maitreya (the smallest in size) seated cross-legged on a platform slightly off-centre, facing the north; On the left and right—alternate views of the sculpture. (Photo Courtesy: Sanjay Dhar)

Sanjay Dhar

Basgo: Cham Chung

Fig. 2: North Wall: The Maitreya flanked by standing Avalokitesvara. On the right section (facing the wall) are Guru Padmasambhava and Mila ras pa, and on the left are the masters of the Kagyupa lineage. (Digital assembly) Photo Courtesy: Sanjay Dhar

Sanjay Dhar

Basgo: Chamba Lhakhang (Temple)

Abhijit Chakraborty

Achhutkanyas: The Nachnis of Purulia

Owing to its remoteness, dwellings in Grahan are still made in the traditional building system of kathkuni. Kathkuni is a combination of two local terms: kath and kuni. The word kath is a variation of the Sanskrit word ‘kashtth’, which means wood, and kuni is again a dialectical variation of the Sanskrit word ‘kona’, that is, an angle or a corner.

Namrata Toraskar

Taana-Baana Narratives: Pattu Weaving in Kullu

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