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'God is one' is a common idea among Parsis of India, therefore religious icons from non-Zoroastrian religions are also kept in their house and workplace. A sticker of Farre Kiyani (top) share space with Laskhmi (bottom), the Hindu goddess of wealth and prosperity. The symbol of Farre Kiyani (also referred to as ‘Fravahar’ in Iran and India) is a depiction of divine protection of God on people through the wise righteous king. The symbol is very ancient and has been represented in the art of the Achaemenid Empire (550–330 BCE) and is widely used as a symbol of national identity among modern Iranian people and symbol of religious identity among Parsis of India.

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

Histories, Institutions, People

Revisiting India’s Legacy of Education Policy VisionsArticle

Meet Me at These Virtual MuseumsArticle

In memory of Greater Iran: Zoroastrians of NavsariImage Gallery

Yearly Museum Planner in India: 12 museums over 12 monthsArticle

How Cities have been Interpreted over Time Article

A Journey through History: J.S. Grewal on Academic and Institutional InterestsVideo

Theatre Space of Adishakti: Practices and TechniquesVideo

Adishakti: An Avant-Garde Language of Theatre Overview

पारम्परिक कलाओं का व्यावसायिक प्रशिक्षण /From traditional knowledge to skill development : training center in SargujaArticle

Theatre Space of Adishakti Module

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Shrinjita Biswas

Theatre Space of Adishakti

Performing Arts Institutions

Prof. E. Ismail

The Mahals and Mosques of Malabar

Institutions Built Spaces

Abismrita Chakravarty

Neo-Vaishnavite Monasteries of Assam

Knowledge Traditions Practices and Rituals Institutions

Image Galleries

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

Sharwin Kailashi

The Kutch Museum Collection

Shrinjita Biswas

Adishakti Theatre: A Visual Gallery of Various Productions

പള്ളിക്കോണം രാജീവ് (Pallikkonam Rajeev)

കോട്ടയത്തിന്‍റെ സാമൂഹ്യ സാംസ്കാരിക ചരിത്രം: ചിത്രങ്ങൾ

Articles

Anita Rampal

Revisiting India’s Legacy of Education Policy Visions

Literature and Languages Histories Institutions

Simran Agarwal and Abhinav Gupta

Meet Me at These Virtual Museums

Institutions Built Spaces

Sindhuri Aparna

Yearly Museum Planner in India: 12 museums over 12 months

Institutions Built Spaces

Sahapedia Frames

Parsis first arrived in Gujarat between the eighth and tenth centuries. Navsari in Gujarat was one of the earliest Parsi settlements in India, and became a major centre of the Parsi priesthood.

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

The Chinese word gun refers to a long staff used as a weapon. It is one of the four major weapons, along with the qiang (spear), dao (sabre), and the jian (straight sword), used in Chinese martial arts.

Sujata Khanna

Training the Body and Mind: Kung-Fu Nuns of Kathmandu

Library Artifacts

Ashok Tiwari

कलेवा आनी बानी के छत्तीसगढ़ी व्यंजन

National Centre for the Performing Arts, Mumbai

NCPAQ March 1988 Vol XVII issue 1

National Centre for the Performing Arts, Mumbai

Original Master Plan for Development, NCPA, Mumbai, 1966

National Centre for the Performing Arts, Mumbai

Organizational Chart, NCPA, Mumbai 1988

National Centre for the Performing Arts, Mumbai

Board Of Advisers' Letters, NCPA, Mumbai

National Centre for the Performing Arts, Mumbai

Dissemination of Culture through Postage Stamps