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'God is one' is a common idea among Parsis of India, therefore religious icons from non-Zoroastrian religions are also kept in their house and workplace. A sticker of Farre Kiyani (top) share space with Laskhmi (bottom), the Hindu goddess of wealth and prosperity. The symbol of Farre Kiyani (also referred to as ‘Fravahar’ in Iran and India) is a depiction of divine protection of God on people through the wise righteous king. The symbol is very ancient and has been represented in the art of the Achaemenid Empire (550–330 BCE) and is widely used as a symbol of national identity among modern Iranian people and symbol of religious identity among Parsis of India.

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

Histories, Institutions, People

How Cities have been Interpreted over Time Article

A Journey through History: J.S. Grewal on Academic and Institutional InterestsVideo

Theatre Space of Adishakti: Practices and TechniquesVideo

Adishakti: An Avant-Garde Language of Theatre Overview

पारम्परिक कलाओं का व्यावसायिक प्रशिक्षण /From traditional knowledge to skill development : training center in SargujaArticle

Theatre Space of Adishakti Module

The Mahals and Mosques of MalabarModule

The Keyis and the Odathil Mosque of ThalasseryArticle

The Mahals of MalabarOverview

History of Kutch through its Palaces and MuseumsInterview

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Kartikay Khetarpal

Institutionalizing Faith: The Dadu and Nath Panth

Knowledge Traditions Institutions

Vighnesh Hampapura

Theatre Space of Rangayana

Performing Arts Institutions

Shrinjita Biswas

Theatre Space of Adishakti

Performing Arts Institutions

Image Galleries

Sriram Sabhapathy, curated and captioned by Kartikay Khetarpal

Embodying the Formless: Spiritual Practice in the Nath Sampraday

Sriram Sabhapathy, curated and captioned by Kartikay Khetarpal

Sustaining Faith: Text and Tradition in the Dadu Panth

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

Sharwin Kailashi

The Kutch Museum Collection

Articles

Anita Rampal

Revisiting India’s Legacy of Education Policy Visions

Literature and Languages Histories Institutions

Simran Agarwal and Abhinav Gupta

Meet Me at These Virtual Museums

Institutions Built Spaces

Sindhuri Aparna

Yearly Museum Planner in India: 12 museums over 12 months

Institutions Built Spaces

Sahapedia Frames

Parsis first arrived in Gujarat between the eighth and tenth centuries. Navsari in Gujarat was one of the earliest Parsi settlements in India, and became a major centre of the Parsi priesthood.

Sarah Jabbari

In memory of Greater Iran: Zoroastrians of Navsari

The Chinese word gun refers to a long staff used as a weapon. It is one of the four major weapons, along with the qiang (spear), dao (sabre), and the jian (straight sword), used in Chinese martial arts.

Sujata Khanna

Training the Body and Mind: Kung-Fu Nuns of Kathmandu

Library Artifacts

Ashok Tiwari

कलेवा आनी बानी के छत्तीसगढ़ी व्यंजन

National Centre for the Performing Arts, Mumbai

NCPAQ March 1988 Vol XVII issue 1

National Centre for the Performing Arts, Mumbai

Original Master Plan for Development, NCPA, Mumbai, 1966

National Centre for the Performing Arts, Mumbai

Organizational Chart, NCPA, Mumbai 1988

National Centre for the Performing Arts, Mumbai

Board Of Advisers' Letters, NCPA, Mumbai

National Centre for the Performing Arts, Mumbai

Dissemination of Culture through Postage Stamps