South India

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Vighnesh Hampapura
Vighnesh H.J (VHJ): We have with us today the director of Rangayana, Bhagirathi Bai Kadam. Welcome, ma’am. Bhagirathi Bai Kadam (BBK): Namaskara. VHJ: Firstly, how did your interest in theatre develop? When did you feel you wanted to take it up professionally? BBK: It must have begun even before I…
in Interview
Vighnesh Hampapura
In the central areas of Mysore, behind the Kukkarahalli Lake, is Rangayana, home to the only state-funded theatre repertory in India. Rangayana is the realisation of legendary theatre personality B.V. Karanth’s imagination and vision. Established in 1989, Rangayana has been the source of more than…
in Module
Vighnesh Hampapura
B.V. Karanth, a name synonymous with Indian repertory theatre, established Rangayana—the first professional repertory in South India. A professional drama repertory with permanent artistes and technicians, Rangayana turns 32 on January 14, 2021. With more than a hundred plays under its banner, it…
in Overview
Roshini Muralidhara
The Karaga festival or Karaga jatre (a periodic festival in honour of a deity) is celebrated annually in the Chaitra (March/April) month of the Hindu calendar in the south Indian state of Karnataka, mainly by the Tigala community; though, today it is attended by people from all sects. The Tigalas…
in Overview
Yigal Bronner
One of the foremost minds in the field of Indology and linguistics today, 69-year-old David Dean Shulman was born and brought up in Iowa in the Midwest, USA. After finishing school, Shulman immigrated to Israel and gained a BA degree in Islamic History from Hebrew University. He grew fascinated…
in Interview
Priya V.
Bahurupis of Karnataka, demarcated as OBC under the state’s census reports, are itinerant performers of hagalu vesha[1] or pagati vesha[2]. Predominantly acted out by the male members of the community[3], theirs is an orally passed down musical tradition nurtured and guarded within the families of…
in Overview
Priya V.
The bahurupis of Karnataka, categorised under the OBC category by the state’s census reports, are itinerant performers of hagalu vesha or pagati vesha. Also known as the ‘sadhus of the cemetery’, they impersonate mythological characters and stage amusing episodes that also comment on daily events.…
in Interview
Priya V.
Bahurupis of Karnataka, demarcated as belonging to the OBC category according to the state’s census reports, are itinerant performers of what are referred to as hagalu vesha or pagati vesha. Impersonating mythological and sometimes social characters, they stage amusing episodes…
in Module
Shrinjita Biswas
Eminent theatre personality Veenapani Chawla (1947‒2014) established Adishakti in Mumbai in 1981, in a quest to evolve a unique theatre language. Later, she shifted Adishakti to Puducherry, where it finally settled into its own campus in 1981. The theatre that Chawla wanted to mould and explore was…
in Video