Cinema

Displaying 1 - 10 of 10
Senjuti Mukherjee
In cinema-crazed Chennai, every street has political graffiti with film stars and film posters. The billboards, flexes and cutouts of fabled film stars, often freshly garlanded, evoke open-air temples. Cinematic references are inescapable around the city; signboards invoke memories of renowned…
in Overview
Senjuti Mukherjee
Scholar and film director, Venkatesh Chakravarthy, is currently the dean of Ramanaidu Film School in Hyderabad.  He was the regional director and the head of the department of direction at L.V. Prasad Film and TV Academy. He has also worked as a scriptwriter, analyst and consultant for Tamil,…
in Interview
Senjuti Mukherjee
In 1946, A.V. Meiyappan, the founder of AVM Studios, travelled to Karaikudi with a 12-year-old boy named R. Parameswaran, who was to join as an assistant at his new film studio there. Karaikudi, 400 km southwest of what was then Madras, was Meiyappan’s hometown. By this time, Meiyappan had already…
in Article
Senjuti Mukherjee
AVM Studios in Vadalapani, Chennai, was founded by A.V. Meiyappan. It became one of the many film studios in the neighbourhood called Kodambakkam. Meiyappan hailed from Karaikuddi, and ran a store called A. V. & Sons that distributed gramophone records for HMV and Columbia in the late 1920s. In…
in Module
Kumar Shahani interviews Hungarian film-director, Miklós Jancsó.
in Library Artifacts
David Robinson writes on the history of cinema posters.
in Library Artifacts
Book Review of Chitra Bani: A Book on Film Appreciation by Gaston Roberge (Calcutta: Chitra Bani. 1974)
in Library Artifacts
K.B. Venu
K.B. Venu: You are being adored even by the new generation film-makers in Malayalam. Your films are noted for the variety of subjects you chose for them. And most of them happened in the 1980s. All of them were swimming against the tide. Especially movies like Mela in which a dwarf, a circus clown…
in Interview
Hrishikesh Arvikar
Prabhat (1929–53), a regional film studio, was started as a collective under the political patronage of the King of Kolhapur. In 1934, it became one of the state-of-the-art studios in Asia when it shifted to Pune. This module explores the logistical, aesthetic, ideological and spatial manoeuvres…
in Module