Visual Arts

Displaying 41 - 50 of 53
Vasudevan Akkitham
Artist Gulammohammed Sheikh dons many roles in life—painter, poet, educator, writer, art historian−all of which emerge from and coalesce into his engagement with contemporary socio-political concerns. Born in Surendranagar, Gujarat, Sheikh discovered his passion for poetry and painting while in…
in Interview
Ruchira Ghose
in Image Gallery
Garima Raghuvanshy
This article is based on conversations with Dinesh Yadav, a theatre director and artist who has been working with and on Pandun ka kada (Pandava’s couplets) since 1997, and Gafruddin Mewati Jogi, a senior artist and performer of Pandun ka kada.  For centuries, Mahabharata has allowed for…
in Article
Garima Raghuvanshy
A mammoth narrative, Mahabharata is roughly 10 times the length of the Iliad and the Odyssey combined, and about four times the length of Ramayana. It is also, however, much more than a purely textual tradition. Heard and told for centuries, it is intricately woven into the cultural fabric of India…
in Overview
Garima Raghuvanshy
Mahabharata is one of the two best-known epics of the Indian subcontinent. Spread over multiple generations and territories, telling of the churning of the sea, of the genealogies of several warriors, devas and asuras, of numerous encounters between devas, rakshasas and humans, and of an epic war…
in Module
Mrinalini Sil
Although closely associated with principles of asceticism and renunciation, Jainism, for the last two millennia, has been a religion of temples and temple worship. Jain temples, with the diverse ritual implements of sculpted and adorned jina (enlightened and liberated teachers) images, monastic…
in Article
Mrinalini Sil
An acclaimed art historian, Dr Kavita Singh's research interests cover the history of Indian paintings, particularly the Mughal and Rajput schools, and the history and politics of museums. She is the recipient of the 2018 Infosys prize in Humanities for her outstanding contribution in the field of…
in Interview
Mrinalini Sil
The emergence of the Jain community in the Murshidabad area of Bengal was the result of two distinct waves of migration. Between 1700 and 1765, the dominant Jain actors were the Jagat Seths (banker of the world), a line of merchant-bankers who had migrated to this region from Marwar in Rajasthan.…
in Overview
Mrinalini Sil
The emergence of the Jain community in Bengal has its roots in Murshidabad of the eighteenth century when two distinct waves of migration between 1700 and 1765 marked their settlement and coming to prominence as important actors in the political, economic and social landscape of Bengal. Even though…
in Module
Ruchira Ghose
in Image Gallery