Dance

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O.D. Varkey
The rituals and customs of the Christian community, which are in synthesis with the cultural traditions of Kerala, have facets inseparably interwoven with Hindu culture. For example, similar to the thulasithara (an elevated platform on which basil is planted) in a Hindu home, there are…
in Overview
Dhanya Indu
Margamkali is a dance form practised by Syrian Christian men (in Kerala) since the fourth century in commemoration of their acceptance of Way of Christ. It is a dance form where the dancers traditionally danced around a small platform with a cross in the middle. In remembrance of the story of how…
in Interview
Dhanya Indu
Margamkali is a ritualistic dance form performed by the Saint Thomas Christians of Kerala on Christian days of celebration, and on the eve of weddings. Traditionally, it was performed around an elevated platform with a cross by twelve dancers representing the twelve disciples of Jesus Christ.…
in Video
Dhanya Indu
in Image Gallery
Dhanya Indu
Song and dance have always been part of Christian worship and rituals. There are many instances in the Old and New Testaments that bear testimony to this. In 50 CE, Thomas the Apostle reached the shores of India. He finally landed up in the Chola-Chera kingdoms, where he spread the Way of Christ.…
in Module
Surangama Lala Dasgupta
  The meaning of mudra (gesture) in Sanskrit is mudam anandang rati dadati (‘that which gives ultimate joy’). Mudra has been an integral part of Indian heritage and culture since the Vedic period. It has been a part of rituals, dance and drama in India. Mudra, in itself, is a medium of practical…
in Overview
Siddhi Goel
Jai Kishan Maharaj is one of the senior most figures of Kathak today. He is the elder son of Padma Vibhushan Pandit Birju Maharaj, and currently teaches as a Senior Guru at Kathak Kendra, Delhi. He is not only a dancer and Guru, but a renowned music composer, choreographer and poet. In this video,…
in Interview
M.D. Muthukumaraswamy
in Image Gallery
Siddhi Goel
Dancers beautifully adapt poetry and literary works (sahitya) into Kathak choreography. But Kathak has Sahitya of its own as well, which is inherent to it. It does not come from an outside source, but is found within its own language. 
in Video