Mudra and the Modern WorldArticle
Lai HaraobaOverview
Mudra and TherapyArticle
Dance Conference in HawaiiLibrary Artifacts
Dance
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Dancers beautifully adapt poetry and literary works (sahitya) into Kathak choreography. But Kathak has Sahitya of its own as well, which is inherent to it. It does not come from an outside source, but is found within its own language.
in Video
When I refer to the ‘modern world’, I largely mean the last 30–40 years. To understand the characteristics of the modern world, one has to develop a deep sociological understanding of the evolution of society. However, in this article, I will discuss the relationship between mudras and the present…
in Article
Kathak is commonly regarded as one of the seven state-recognised classical dance forms of India and is the only one from North India. It is known for its technical virtuosity, fluid movements, footwork, sharp spins and versatile range of abhinaya. Because of its past associations with…
in Module
Introduction
Lai Haraoba is a religious festival celebrated by the Meitei people who are largely settled in and around Manipur. It is held at neighbourhood shrines dedicated to the local umanglai deities. These is a generic category of deities within the religious faith of the Meiteis that pre-…
in Overview
By ‘therapy’, we mean interpersonal treatment for problems in life. Therapy provides ways to express feelings, understand patterns of thinking, gain perspective on past events and current relationships, set goals, and clarify dreams for the future. Psychotherapy, designed to improve mental health,…
in Article
The theory and practice of mudra is an integral part of our classical heritage. From the Vedic period right down to our times, mudra has played a crucial role in our representational arts like dance and music, as well as in yoga and prayer. This is an attempt to study and examine the role of…
in Module
Amba Prasad Patala belongs to a long lineage of Yakshagana artists. With his father Patala Venkataramana’s support and guidance, Amba started out as a Yakshagana artiste and soon achieved eminence as a female role player.
Manorama B.N. : I thank you for…
in Interview
Introduction by Dr Manorama B. N.
Mantapa is a popular name among the female role players in Yakshagana. He has performed on 1000 stages as a female impersonator. He did many commendable experiments in Yakshagana. Mantapa fulfilled the dream of Shatavadhani R. Ganesh by successfully…
in Article
The article is about the dance conference held in Hawaii in August, 1978.
in Library Artifacts