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V. Shantaram
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In his delightful autobiography I am not an Island, this is how Khwaja Ahmad Abbas describes himself:
This rotten fruit called K.A. Abbas has dropped from a unique family tree of saints and sinners, murderers and marauders, timid recluses and adventurers, soldiers of fortune and defenders of…
in Article
के.के. नैयर- ख्वाजा अहमद अब्बास साहब मैं हाज़िर हुआ हूँ आपके पास इस इरादे से की आप के फन,फन के ये सूरत, ये तहरीक, फिल्म साजी ये सब शामिल है उसमें और जो मोमताज मक़ाम आपने हासिल किया है न सिर्फ अदब में बल्कि जर्नलिज्म और फिल्मों में, तो आपकी जिंदगी आपके रात आपके फन के बारे में मालूमात हासिल करके लोगो…
in Interview
India was a site of contested claims by regions attempting to stake their claim in the making of a nation. However, between nationalism and nationalisation, there is a window to the cultural world, more specifically in the lives of Indian cinema, which tells the story of the making, negotiating,…
in Overview
Prabhat (1929–53), a regional film studio, was started as a collective under the political patronage of the King of Kolhapur. In 1934, it became one of the state-of-the-art studios in Asia when it shifted to Pune. This module explores the logistical, aesthetic, ideological and spatial manoeuvres…
in Module