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Sainico Ningthoujam
She received the National Award for embroidery in 2004. Today, she is an entrepreneur promoting the art of handmade embroidery and preserving traditional motifs in phanek mayek naibi (a patterned sarong worn by Meitei women).  Following is an edited transcript of the interview conducted at Devi’s…
in Interview
Sainico Ningthoujam
Phanek is a sarong worn by the Meitei people of Manipur as part of their traditional attire. It has distinct weaving patterns and motifs depending on the community wearing it, its history, regional specificity and traditions.  Lower garments like phanek are found across India’s Northeast, such as …
in Article
Sainico Ningthoujam
Phanek mayek naibi is the traditional sarong worn by Meitei women in Manipur. It continues to be an intrinsic part of their formal wear as well as a part of traditional and festive attire.   The motifs that are used to decorate the borders of the phanek can be traced back to indigenous mythologies …
in Module
Anoodha Kunnath
Chendamangalam is a small unassuming town by the banks of the river Periyar, almost 30 kilometre away from the city of Ernakulam. It was a thriving centre of trade and exchange near the ancient sea port Muziris. Chendamangalam is also known to be the earliest home of the Malabari Jews. As much as…
in Video
Tarini Manchanda
Among the 16 major tribes of Nagaland, the Chakhesang Nagas are one of the most progressive. They represent people belonging to three language groups – Chakri or Chökri, Khezha and Sangtam and derive their name from the initials ‘cha-khe-sang’. Earlier known as Eastern Angamis, they amalgamated in…
in Video
B.N. Goswamy
Through the workmanship of the exquisite ‘Sikander Nama’ shawl from Kashmir, Prof. B.N. Goswamy explores the history and development of the hand-embroidered and hand-woven shawls from the Valley, as opposed to those produced on the loom. (In pic: The ‘Sikandar Nama’ shawl; Photo Courtesy: …
in Article
Shrey Maurya
This article was a direct result of Sahapedia's collaboration with the Conference on Handloom and Handicrafts in India, held in Chirala, Andhra Pradesh, November 2018. All quotes in italics are from an interview with Suresh Vankar, November 2018. History is not always written, it is often borne…
in Article
Namrata Toraskar
in Image Gallery
Pankaja Sethi
  This article illustrates the journey in the pursuit of kerang – the bark cloth of the Gadaba Adivasi women from Koraput district of south Odisha. It aims to record the last phase of bark cloth and the people who are still retaining it as a part of their ethnic identity. Kerang takes us to that…
in Overview
Radhana Raheja
The Makhmali Way: The Technical Complexities of Velvet Handloom Weaving   After witnessing years of glory, in the 19th century the intricate and time-consuming art of silk velvet weaving came up against competition from velvet powerlooms, which led to its rapid decline and near disappearance. …
in Article