Aprameya Manthena
A. Mangai is the pseudonym of Dr. V. Padma. She taught English in Stella Maris College, Chennai. She has been actively engaged in Tamil theatre as an actor, director and playwright for almost three decades. She hopes that her academic, activist and artistic selves can find a…
in Interview
Aprameya Manthena
Tamil poetry: An introduction
The study of ancient Tamil poetry encompasses understandings of sociology, ecology and cultures of particular times and spaces. The Cankam corpus (dated to the early period of the millennium) makes references to lived practices, culture and economy of…
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Vidushi Jain
The early western Calukyas emerged on the historical canvas of the Deccan region of peninsular India in the second half of the 6th century. The heartland of the Calukyas lay close to the Malprabhā river valley in the modern-day Bagalkot district of Karnataka. The twin cities of Bādāmi and…
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Aprameya Manthena
‘Kuravar’ was the generic name given to hill/forest communities of the Deccan that practised shifting cultivation, food gathering and hunting. The kuratti or singi (female belonging to Kuravar community) and the kuravan or singan (male belonging to the Kuravar community) belong to the Kurinji (hill…
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Parshati Dutta
Parshati Dutta: As a long term member and current coordinator of the NSC (National Scientific Committee) on Cultural Routes (CIIC) for ICOMOS (International Council on Monuments and Sites) India, tell us about the significance of Cultural Routes.
Ridhima Bajaj: The histories and cities that…
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Komal Potdar
A lot can be learnt from the socio-cultural aspects of a community through the food, language and clothing patterns. Clothing and textiles have been important in human history and reflect the materials available to a civilization as well as the technologies that had been mastered. The…
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Raja Muzaffar Bhat and Parshati Dutta
Contextualizing the cultural route
Sitting in 2018, at a time when Kashmir is most often a prefix to the word ‘problem’, synonymous with conflict, and described as the ‘flashpoint of violence’ in the South Asian landscape, it is not easy to comprehend the circumstances of Mahatma…
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K.A. Abbas
A ‘credo’ implies that the writing must have a purpose beyond developing the personality and the ego of the writer. Literally meaning ‘I believe’, a credo is a statement of the writer’s faith and purpose. My credo is communication with people. There are two sides to this business of communication—…
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In conversation with Dr. Nayanjot Lahiri, Professor of History at Ashoka University, about communication and trade networks during the Prehistoric Period in Kashmir. She talks about the cultural background in the north and north-western landscape of the Indian subcontinent during the third…
in Interview
Kapila Vatsyayan
Introduction
To put it simply, over these years, since childhood on to today, it has been my privilege to meet with creative minds who have been variously categorized as scientists, seers, philosophers, poets, writers, painters, dancers, musicians and, above all, many who in…
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