Chandradasan
The name Ebrahim Alkazi (1925–2020) is often regarded as a synonym of contemporary Indian theatre. His greatest vision was to make the National School of Drama truly ‘national’ by not only assimilating students from across India, but also providing a platform for regional and folk arts. Here, we…
in Article
This series of interviews was conducted while researching for the book, The Scenes we Made: An Oral History of Experimental Theatre in Bombay, ed. Shanta Gokhale (Mumbai: Speaking Tiger Books, 2015).
in Interview
Suresh Awasthi writes about the beginning of Nautanki in India. The article also briefly introduces the themes, music and the scoiological aspect of this form of theatre.
in Library Artifacts
Kirti Jain talks about her journey from being a student at the National School of Drama (NSD) to heading the institute as its Director for seven years from 1988–95, where she introduced the Theatre in Education (TIE) programme. She also discusses the work process of several contemporary Indian…
in Interview
This series of interviews was conducted while researching for the book, The Scenes We Made: An Oral History of Experimental Theatre in Bombay, ed. Shanta Gokhale (Mumbai: Speaking Tiger Books, 2015).
in Interview
This series of interviews was conducted while researching for the book, The Scenes We Made: An Oral History of Experimental Theatre in Bombay, ed. Shanta Gokhale (Mumbai: Speaking Tiger Books, 2015).
in Interview
This series of interviews was conducted while researching for the book, The Scenes We Made: An Oral History of Experimental Theatre in Bombay, ed. Shanta Gokhale (Mumbai: Speaking Tiger Books, 2015).
in Interview
This series of interviews was conducted while researching for the book, The Scenes We Made: An Oral History of Experimental Theatre in Bombay, ed. Shanta Gokhale (Mumbai: Speaking Tiger Books, 2015).
in Interview