Mahabharata

Displaying 1 - 10 of 73
Chandradasan
The name Ebrahim Alkazi (1925–2020) is often regarded as a synonym of contemporary Indian theatre. His greatest vision was to make the National School of Drama truly ‘national’ by not only assimilating students from across India, but also providing a platform for regional and folk arts. Here, we…
in Article
Ayan Ghosh
in Image Gallery
Ayan Ghosh
in Image Gallery
B.N. Goswamy
A Ramayana? For the Mughals? So closed are our minds, and so firm our prejudices, that the two words would be seen by most people as if they contained a natural contradiction. Prof. B.N. Goswamy writes about the Mughal version of Indian epics that were produced at and for the Mughal court in the…
in Article
Garima Raghuvanshy
This article is based on conversations with Dinesh Yadav, a theatre director and artist who has been working with and on Pandun ka kada (Pandava’s couplets) since 1997, and Gafruddin Mewati Jogi, a senior artist and performer of Pandun ka kada.  For centuries, Mahabharata has allowed for…
in Article
Garima Raghuvanshy
A mammoth narrative, Mahabharata is roughly 10 times the length of the Iliad and the Odyssey combined, and about four times the length of Ramayana. It is also, however, much more than a purely textual tradition. Heard and told for centuries, it is intricately woven into the cultural fabric of India…
in Overview
Garima Raghuvanshy
Mahabharata is one of the two best-known epics of the Indian subcontinent. Spread over multiple generations and territories, telling of the churning of the sea, of the genealogies of several warriors, devas and asuras, of numerous encounters between devas, rakshasas and humans, and of an epic war…
in Module
Sonam Ambe
In this interview, he discusses the nuances of khele and how it has changed in his lifetime.  Following is an edited transcript of the interview conducted in two parts—on January 14, 2018 in Oshi village and on October 13, 2018 over telephone. Originally in Marathi, it was translated into English…
in Interview
Sonam Ambe
Khele is one of the many performance art forms from Konkan, the western coastal belt of India along Maharashtra. Performed by the Kunbi community of central Konkan in Ratnagiri district, khele (which traces its roots to the word khel, which means both play and a dramatic performance) is a three-…
in Overview