Sonam Angchok, Rigzin Chodon and Monisha Ahmed
The carvers talk about the origin of this tradition and explain how this important cultural heritage is kept alive through the yearly occasion. The youth of the village also teach stone carving to interested people during winter in the main bazaar of Khalatse. This community space is also an active…
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Rigzin Chodon
in Image Gallery
Phuntsog Dorjay
in Image Gallery
Tashi Morup
Ladakh is an open book of pre-Tibetan Buddhist art, mainly in the form of rock sculptures. Innumerable images of Buddhist deities and icons of varying sizes, intricately carved and engraved on rocks, are scattered all over the region. Most of them are found in the same spot and natural ambience of…
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Tashi Ldawa Thasngspa
An appreciation of Ladakh’s history would be incomplete without an understanding of its relationship with the areas and regions in its immediate neighbourhood—Kashmir and Baltistan to the west, the vast expanses of Sinkiang/Xinjiang and Western Tibet to its north and east, and the Himalayan range…
in Overview
Monisha Ahmed
Throughout Ladakh, rock carvings are visible along pilgrimage and trade routes, and at wayside shrines. Some of these date to the Palaeolithic and Neolithic periods, others are more recent carvings. Their delineations include simple figures, animals and outlines of structures to more intricate…
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Tashi Morup and Rigzin Chodon
in Image Gallery
Tashi Morup and Rigzin Chodon
in Image Gallery
Tashi Morup and Rigzin Chodon
The historic Old Town of Leh is generally called Kharyog (mKhar-yog), referring to the residential houses and community spaces directly below the seventeenth century Leh Palace. The Old Town bears testimony to the architectural heritage and socio-cultural history of Ladakh, which demonstrates an…
in Module