Dance

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Tarini Manchanda
The Sangtam tribe belongs to the Tuensang district in eastern Nagaland. Tuensang is located in the eastern part of Nagaland. It is bounded by Mon and Longleng Districts in the north and north east respectively, Mokokchung in the northwest, Zunheboto in the southwest, Kiphire in the south, and…
in Video
Tarini Manchanda
Khiamniungan is one of the major Naga tribes, inhabiting the Tuensang and Noklak districts and the adjoining areas of Myanmar. Khiamniungan literally translates to source of great waters. Farming is one of the primary occupations of the people of this region. The Khiamniungan tribals, who…
in Video
Tarini Manchanda
At the state-sponsored Hornbill Festival, the Garo cultural troupe performed a harvest dance, part of their popular Wangala festival celebrations that usually takes place in October–November. One of the 16 state-recognised tribes in Nagaland, the Garo tribe lives in areas across Meghalaya, Nagaland…
in Video
Sonam Ambe
In this interview, he discusses the nuances of khele and how it has changed in his lifetime.  Following is an edited transcript of the interview conducted in two parts—on January 14, 2018 in Oshi village and on October 13, 2018 over telephone. Originally in Marathi, it was translated into English…
in Interview
Sonam Ambe
Khele is one of the many performance art forms from Konkan, the western coastal belt of India along Maharashtra. Performed by the Kunbi community of central Konkan in Ratnagiri district, khele (which traces its roots to the word khel, which means both play and a dramatic performance) is a three-…
in Overview
Sonam Ambe
Gods and demons are summoned once a year on Shimga, the festival of Holi, in the Konkan belt of Maharashtra and Goa. Young boys and men perform roles of good and evil, beasts and birds, and women and men. Khele performances brighten the full moon nights of Holi Purnima as well as auspicious events…
in Module
Abismrita Chakravarty
Jogen Dutta Bayan was initiated into monkhood at the Uttar Kamalabari Sattra but chose to exit the sattra at the age of 39. He emerged as a renowned artist and guru of Sattriya Nrittya and other art forms of the neo-Vaishnavite tradition in Assam. This interview provides a glimpse of his lived…
in Interview
Abismrita Chakravarty
Sattras are monastic institutions of the neo-Vaishnavite tradition that are unique because of their practise of a form of Bhakti that employs dance, music and theatre for the dissemination of religious ideas. Although much has been written about the history of sattras and the art forms that…
in Article
Abismrita Chakravarty
Sattras are monastic institutions of the neo-Vaishnavite tradition that serve as socio-religious and cultural centres in Assam. An integral part of Assamese life and culture, sattras are repositories of the ancient religious philosophy and artistic expressions attached to it. The neo-Vaishnavite…
in Overview