Prabhat Film Company

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Sarah Niazi
The 1930s was an exciting epoch in the history of Indian cinema. The arrival of sound had made things challenging, exhilarating and new. While older modes of film production and exhibition still held their sway, the advent of new technology put the nascent film industry in a tizzy. The Prabhat Film…
in Article
Hrishikesh Arvikar
Prabhat (1929–53), a regional film studio, was started as a collective under the political patronage of the King of Kolhapur. In 1934, it became one of the state-of-the-art studios in Asia when it shifted to Pune. This module explores the logistical, aesthetic, ideological and spatial manoeuvres…
in Module
Shashikant Kinikar: Right from my childhood, I was very fascinated with films. Because whatever films I came across I liked them. It was the period of Early 1950s. Because I liked films, I started gathering material on films. At that time, getting knowledge about films was through Radio Ceylon,…
in Interview
Gaurav Pai
This essay seeks to study villainy in three films Prabhat Film Company released in the interwar period, so as to understand the broader political agendas of the studio and its prescriptions for a better society. I have hermeneutically chosen these three films—Amritmanthan (1934), Wahan (1938) and…
in Article