Amal Allana
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The drunkard who immerses himself in drunkenness by drinking will not be able to act, even as a drunkard. An actor seems to divide his mind into two while acting—while one part is immersed in his role, the other watches as a witness, whether the immersion is adequate, the lines are being spoken…
in Article
Kirti Jain talks about her journey from being a student at the National School of Drama (NSD) to heading the institute as its Director for seven years from 1988–95, where she introduced the Theatre in Education (TIE) programme. She also discusses the work process of several contemporary Indian…
in Interview